Night film set with crew silhouettes and crimson practical lights

Picture division

Films

Narrative shorts, features and music films written, shot, scored and cut by the same small crew. We keep the whole pipeline in-house so nothing gets diluted between the idea and the screen.

Field notes from the people making the picture.

Short dispatches from directors, editors and sound leads moving a film from a scribbled page to a locked cut — written while the work is still wet.

How a rain-soaked alley became the whole third act of our first feature.

Night Shoot

How a rain-soaked alley became the whole third act of our first feature.

Production · 04:20
Why we shot the short on 16mm when everyone said digital was cheaper.

Camera Test

Why we shot the short on 16mm when everyone said digital was cheaper.

Cinematography · 03:45
Rehearsing a two-hander in a cold warehouse for eleven straight nights.

Performance Work

Rehearsing a two-hander in a cold warehouse for eleven straight nights.

Direction · 05:10
Chasing tail lights across three counties to get ninety usable seconds.

Second Unit

Chasing tail lights across three counties to get ninety usable seconds.

Location · 04:55
The night the score and the dialogue finally stopped fighting each other.

Final Mix

The night the score and the dialogue finally stopped fighting each other.

Post-production · 03:30

What we make

01

Development

Scripts, treatments and pitch material built out from a single idea until there is a shootable document and a budget that survives contact with reality.

02

Production

Small crews, long nights, owned gear. We shoot narrative shorts, features and music films with the same crew that developed them.

03

Original Score

Every picture we make is scored in-house, written against the cut rather than dropped on top of it once the edit has already locked.

04

Post & Colour

Edit, grade, sound design and final mix handled in one suite so the look and the noise of a film are decided by the same pair of eyes and ears.

05

Release

Festival strategy, self-distribution and direct streaming — getting the work in front of an audience without giving it away.

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